Showing posts with label ceremonials. Show all posts
Showing posts with label ceremonials. Show all posts

1.29.2012

Best Albums of 2011



This is going up really late, but with all the great music that was released in 2011, I feel like it woud've been a crime to not finish what I had started. It's been an awesome year for me personally and I've gotten some really great chances to write for some bigger publications. Currently I'm freelancing for Paste Magazine, Prefix, and Relevant Magazine -- with more on the way hopefully.

As for The Feedback Loop, I have some exciting things planned for 2012, so stay tuned. Below is my final list. Feel free to tell me what music you liked from 2011 in the comments below!

25 TV on the Radio - Nine Types of Light
24 Little Dragon - Ritual Union
23 Big K.R.I.T. - Return of 4Eva
22 Destroyer - Kaputt
21 John Mark McMillan - Economy
20 Grouper - A I A / Alien Observer
19 Bon Iver - Bon Iver
18 Florence + The Machine - Ceremonials
17 Jonny Greenwood - Norwegian Wood OST
16 Iron and Wine - Kiss Each Other Clean
15 James Blake - James Blake
14 Girls - Father, Son, Holy Ghost
13 CunninLynguists - Oneirology
12 Radiohead - King of Limbs
11 Colin Stetson - New History Warfare Vol. 2: Judges
10 The Civil Wars - Barton Hollow
9 My Brightest Diamond - All Things Will Unwind
8 Lia Ices - Grown Unknown
7 Rustie - Glass Swords
6 St. Vincent - Strange Mercy
5 The Roots - undun
4 My Morning Jacket - Circuital
3 Fleet Foxes - Helplessness Blues
2 PJ Harvey - Let England Shake
1 M83 - Hurry Up, We're Dreaming

12.05.2011

Best Albums of 2011: #18



Florence + The Machine - Ceremonials

After ignoring this English vocal powerhouse for long enough, I'm now convinced that Florence + The Machine is one of the best big pop acts out there right now. Not only does Florence + The Machine do what is required one of them as a radio-friendly pop group by writing some irresistibly catchy tunes, they surprised me by exploring some darker musical and lyrical themes on Ceremonials. Pulling in some lovely soul influences, Florence writes some pretty interesting spiritual ballads and that make Adele sound like a glorified teenage pop idol.

Furthermore, the interest in soul/gospel and spirituality justifies the enormous sound that the group puts out to me. The huge organs, pounding drums, and gospel choir arrangements might be a bit over-the-top for some, but in a year where I was left pretty underwhelmed by Coldplay's album that felt like a significant step backwards, Florence + The Machine have filled that hole in my soul for British pop that's not afraid to be big.



Best Tracks: "Shake It Out", "Spectrum"